It also has controls over modulation, drive, EQ and more for fine-tuning the sounds of your delay. Valhalla Delay features 10 different delay modes including tape, HiFi, digital and more. They sound fantastic, the user interfaces are clean looking and they are designed in such a way to encourage a sense of play. I’m a huge fan of all the plugins from Valhalla DSP. I’ll map parameters (usually the feedback, mix and filters) to my MIDI controller, and “play” the delay like it’s a musical instrument.
This is something I’ll do with all types of plugins to give my processors a greater degree of musicality, and EchoBoy is no exception. Sometimes I’ll even use EchoBoy only as a “color unit,” as the saturation and filters sound fantastic when combined with the unique timbers of the 30 styles. EchoBoy excels at creating delay on virtually any type of signal including vocals, synths, guitars and beyond. Combine these styles with the onboard high and low-cut filters, saturation and input & output controls, and you can sculpt the character of your repeats to be crystal clear, warbly, warm, dull, brash, etc. At the heart of EchoBoy are 30 distinct styles of delay which are based on classic gear, making this plugin a veritable history lesson on delay in addition to a fantastic music production utility. It’s got everything you need in a delay and more. While I utilize each and every delay plugin listed in this roundup, I could likely make do using only EchoBoy. Here are my favorite plugins to use while mixing.
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Today, we benefit from software companies having created plugin emulations of vintage hardware delay units, while also creating digital tools that are far more complex and controllable than any mechanical delay hardware could ever be. Rack mountable studio gear came next, with processors such as the Korg SDD-3000 and Lexicon Prime Time Delay defining the sound of the 1980’s. Eventually, players and engineers began using self-contained delay units such as the Binson Echorec, the Echoplex and the Roland Space Echo. It would take a certain amount of time for that signal to be heard, hence the term delay. A signal being captured on one tape recorder was sent to another recorder, which was subsequently sent back to the first recorder. The history of incorporating delay in music production is an interesting one, and can be traced back to the practice of using multiple magnetic tape recorders to create an echo effect. It can be utilized creatively to create a droning ambient tail, you can use a single repeat set to a 40-100 millisecond delay to pay homage to early rock and roll or you can set up a ping-pong “ throw delay” to make your pop mix sound more produced and “expensive.” These are just some of the many ways you can incorporate delay into your mixes. When used subtly it can establish a sense of space in which tracks can sit, similar to reverb.
When producing and mixing music, delay is such a versatile effect.
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